Showing posts with label continental philosophy. Show all posts
Showing posts with label continental philosophy. Show all posts

Thursday, 17 June 2010

Envisioning Real Utopias

Erik Olin Wright has featured on this blog before. I argued that his approach makes a refreshing change from the focus on "the political", rather than "politics". In the time since, it's been confirmed repeatedly that the former is the mandate of those in the blogosphere and the academy for whom cultural studies is equal parts a literary and (Continental) philosophical practice. More often than not, this becomes a licence for theory to consciously align itself against sociology. In practical terms, this means the importance of institutionalisation as a means of situating radical imaginary significations is neglected. It's the classic vice of Zizekians and the most affirmative postmodern thinkers (as per my critical response to Steven Shaviro's trumpeting of the Ballardian Brigade, which I argued hit some very odd notes). A lamentable state of affairs to be sure, but I'm equally wary of the danger of drifting too far in the opposite direction where "politics" is reduced to the vulgar materialism of bloggers such as kenomatic (as I recall, his blog is now either moribund, or he's pulled up the drawbridge so that it is for "invited readers only", to defend himself once his targets started responding in kind).

It's not necessary though to get too hung up on personalities, as it is the conventions of particular networks that ultimately determine subject positions. This explains the linkage patterns crosscutting the blogosphere and the academy. But given their formative influence, it seems strange to me how the potential of a Cornelius Castoriadis or a Raymond Williams to mediate between these extremes gets lost. Both clearly foregrounded the importance of institutionalisation, while remaining equally attentive to the creativity of radical imaginary significations; their inherent power to realise new forms on a collective level. When I reflect on all the blogosphere theory I've seen in the past few years, the only person I know of to even mention Williams is Joshua Clover.

I'm confident though that if it is not happening in the blogosphere, political sociologists will grow more excited by the possibility of reading Wright along with Williams and Castoriadis. Until that eventuates, we have this lecture to enjoy:

Envisioning Real Utopias from West Coast Poverty Center on Vimeo.

Wednesday, 12 May 2010

"Unclouded by conscience or delusions of morality...

...It's structural perfection matched only by its hostility..."

These were the android Ash's words in Alien, as he confessed his admiration for the creature that was systematically wiping out the crew of the Nostromo. In this post, I'd like to consider some of their thematic implications.

Firstly though, I have a confession of my own to make: sometimes I can be a little slow to post the various things I've seen and heard. So I don't pretend to be breaking the exclusive of Ridley Scott outlining the premise of the Alien prequel he's working on. I also take it as read that the film will be steeped in Lovecraftian lore:

"It's set in 2085, about 30 years before Sigourney [Weaver's character Ellen Ripley]. It's fundamentally about going out to find out 'Who the hell was that
Space Jockey?' The guy who was sitting in the chair in the alien vehicle — there was a giant fellow sitting in a seat on what looked to be either a piece of technology or an astronomer's chair....
[The film] is about the discussion of terraforming — taking planets and planetoids and balls of earth and trying to terraform, seed them with the possibilities of future life".

Less obviously though, I'm also interested in how the hopes invested in the film may be related to the process of rationalisation. Weber's thesis described a situation where charisma would be one of the few means available to break the "iron cage". This can tell us something then about the appeal of auteur theory, with the pantheon of "great directors" acting as circuit breakers on the model of mass serial production that is business as usual in Hollywood. Reading fan reactions and reflecting on my own expectations in light of this most recent event contributes to the sense that the Alien series is one of the most self reflexive ever made: at every level they are obsessed with the meaning of (re)production.

Other readers of Weber's work, not least Habermas, were critically aware of how attempts to manifest the surrealist project in everyday life, as per Bataille, amounted to a horror story (see The Philosophical Discourse of Modernity; but also recall Andre Breton's claim that the simplest surrealist act would be to open fire on a crowd with a pistol). Bataille so feared the utilitarian calculus that he deliberately avoided systematising his own thought, but in so doing, argues Habermas, he provided inadequate contextualisation to prevent it becoming a philosophical wildcard.

It might also be said that Alien is sympathetic to Habermas' perspective as the film makes use of surrealist H.R. Giger's designs to horrific effect to demonstrate the consequences of the surrealist project literally colonising "the lifeworld". Indeed, there is a telling scene in Alien Resurrection where the evil scientists who had attempted to breed the xenomorphs in captivity for their own purposes, find themselves fused to the wall of the hive. But they are so transfixed by the biological/aesthetic qualities of the creatures ("my beautiful butterfly") that it comes as a shock to them when their creation lumbers over to casually bite off the top of their heads. Like Ash before them, these scientists had failed to heed Habermas' words. You might call this "blowback".

If I had the means available, I'd like to write a book on critical theory called Everything I Know About Philosophy I Learnt from the Alien Films. In my version of Alien Resurrection's hive scene, I'd substitute Bataille and certain other philosophers for the scientists. Let the punishment fit the crime, you might say. Another way of putting it is in terms of thinkers committing a common category mistake and being forced to reap the consequences. For example, here is how a recent limited reading of Whitehead's work is taken to task. It could serve equally well as an admonishment by a science court of any number of scientists in the Alien series:

"Consequently, it is one thing to claim, with Shaviro, that from the purely aesthetic perspective destruction (or robbery) is justified by the degree of novelty that is released into the world, but it is quite another thing to pose this justification from the perspective of another living society that has just been robbed to become "food" for the creation of the new beautiful order. According to Whitehead himself, this is where the nature of reflective judgment becomes ethical and concerns the moral issue of creativity that must be "reactively adapted" to fit each living occasion of novelty. Even though creativity becomes "the highest notion of the ultimate generality" in Whitehead's metaphysical system, it cannot serve as a kind of categorical justification for every actual occasion of "craving for intensity", for novelty and adventure, in short, for every act of robbery. It is clear that there is a moral dimension to Whitehead's system as well, a second critique that is hidden behind the first and primary affirmation of the general notion of creativity, and I would even suggest that certain negative and critical feelings (or what Whitehead calls "negative prehensions") can also belong to the creative process in the production of new "discordant feelings." Of course, these negative prehensions need not necessarily lead to new prohibitions against beautiful feelings as in most traditional Marxian critiques, which would be tantamount to a prohibition against eating, and according to Whitehead, would result in the loss of inter-play between living societies and the environment composed of other societies, both organic and inorganic. However, it could lead to a construction of "critical aestheticism" that would be capable of both "creativity" and "critique".

Numerous lebensphilosophie style conceptions of creativity could have served equally well as illustrations of the category mistake. Hans Joas is someone who understands where Habermas was coming from, but attempts to be more thorough in bringing together creativity and critique, to avoid any limitations associated with the aforementioned "traditional Marxian critiques". There is a danger that the creative turn can amount to the same thing as the universal calculus: the only real ground for guilt is a lack of self-interest. Moral behaviour is the acquisition of a value. Certain goods have a higher value simply because others desire what you have. It matters less whether this entails imposing your will on others as long as you make it. This becomes an end in itself, another form of instrumental rationality to legitimate all perversity, strangeness and eccentricity. Again, as Ash said of the xenomorph, "I admire its purity".

This might explain why so many figures in the esoteric underground, including Nikolas Schreck in this unintentionally hilarious clip (and his offsider, here wearing a monocle for effect) for example, develop a social Darwinian philosophy (described fittingly by Anton LaVey as "basically Ayn Rand's philosophy with some ritual thrown in", while Schreck prefers to talk in terms of how "it is difficult to explain something of this majesty and glory to mortal minds"). It also speaks to why provocateurs such as GG Allin felt entitled (while naked, covered in blood, and smeared in human excrement) to stage an afterlife to his performance by inciting a mini-riot in the streets of New York City (Allin died of a heroin overdose several hours after this footage was taken).

I recommend reading Colin Campbell's piece, which I have in part drawn on here, for an intriguing take on how the discourses of decadence used to frame the horror associated with transgressive culture are informed by a serial logic, with reference to C.S. Lewis' The Bell and the Hammer. In this post I have wondered about where and how to situate the popular appeal of the Alien films with respect to the continuum Campbell describes. Does it amount to resistance or complicity?


Sunday, 14 March 2010

Academic Rumspringa, Peer Review as Holy Scripture

There are a raft of issues to be dealt with here.

But firstly, give 'em enough rope and they hang themselves: what I posted about Slavoj Zizek in "Britney Is Cheaper" is pretty much confirmed in The Truth of Zizek, edited by Bowman and Stamp. I was amused by the irony in Simon Critchtley's contribution, which recounts how Zizek accused him of being an academic Rumspringa:

"the Amish practice of letting their children run wild for a couple of years of sex, drugs and rock 'n' roll with the 'English' before either deciding to return to their community or preferring not to. Basically, Zizek accuses me of...[engaging] in a series of hysterical political provocations based on the dim memory of some radical past."

I regard Jeremy Valentine as doing a better job than Critchley of fleshing out the implications of this characterisation for Zizek himself. Gilbert makes specific mention of how Zizek does not take cognizance of the institutional and commercial forces that act upon him and make his interventions possible. Think of my Britney comparison then, when Gilbert writes:

"What we see here is simply the logic of celebrity culture and deep commodification extended to the field of 'intellectual' publishing, and it is virtually a truism today to acknowledge that celebrity is one of the most striking manifestations of the commodifying and individualizing logics of neoliberal capitalism".

In other words, Zizek is no social epistemologist, and, as Gilbert convincingly demonstrates, a dubious Marxist to boot. These are serious charges, so one might expect a vigorous self-defence to be launched in reply. Sadly, the reply could most charitably be described as a philosophical minotaur: a mythological creature, pale and only half formed. Zizek's strategy is to argue that he simply has no institutional power. He claims there are no academic departments dominated by Lacanians, as proof of his marginalization, and that he gives public lectures because, "this is all I have". But would Zizek be able to retain tenureship if he did not have such an extensive publication output as well, what with auditing culture being what it is? And wouldn't his celebrity status ensure that the teaching component of his tenureship would virtuallly give him a rubber stamp to teach whatever (and probably whenever) he wanted, because enrolments in his courses would far surpass that of the average journeyman academic? Surely such relative privileges would more than compensate for any "marginalization" Zizek may have felt when, according to him, his letters of recommendation did not lead to candidates winning academic jobs? Why not square up to the specific charges about publication and celebrity status, rather than just ducking and weaving all the time?

Because no straight answer is forthcoming, I can only conclude that the answers are so unsatisfactory because these kinds of people are simply unprepared for this line of questioning. But why should I expect anything different? Afterall, when you are habitutated to operating in a bubble you probably won't change too much. Recidivism rates will remain high for such serial offenders because there is little incentive to do anything else as you are so totally institutionalised you cannot openly acknowledge the forms of "structuration" at work in academia i.e. it both enables and constrains your actions. Donna Haraway is someone who could see through the kind of imposture Zizek embodies, when she warned of the danger of adopting the "God trick", to see everything from nowhere- what could also be described as omniscience.

With Haraway still ringing in my ears, let me be perfectly clear then about where I'm coming from. I'm not in the business of peddling academic gossip. What I've said about Zizek is meant to have nothing to do with anything that trivial. I'd also distinguish it from Furedi's argument concerning how peer review is infused with vested interests. For Furedi, this is pretty much unavoidable, but he claims it need not always invalidate holding authors accountable to an objective standard of scientific evidence. He maintains that this accountability can even come from "the grey literature", ie. what is published outside of the official channels of peer review. What appears then as a democratisation of [extended] peer review though, founders on an unfortunate reliance on the sanctity of objective scientific evidence as the gold standard to measure intrinsic worth. In practice, what this means is that Furedi is unwilling to accept any 'vested interest' that equates to 'advocacy science', wherein research is politicised and moralised, on behalf of a greater cause than the individualised careerist advancement that can routinely manifest in the procedures of peer review.

It's not difficult to see though that Furedi isn't throwing a very long lifeline to scientists, who, need I remind anybody, also comprise the general public. Furedi's goal appears laudable at first glance: peer review should not be used as a form of Holy Writ to prevent the public from raising concerns about, for example, climate science. But wouldn't these concerns be raised in the name of some other standard of the moralisation and politicisation of science anyway? For example, people living in the communities that could be affected by the implementation of scientific policy, could, quite rightly, demand a greater say in how the science should be used in an everyday context. So, it's the inclusiveness of peer review that needs to be extended, and this does not require placing a moratorium on social epistemological concerns.

Speaking personally, whenever I listen to an anarcho primitivist such as John Zerzan, I don't even really need to be a climate science sceptic to know why I find his beliefs so repellant. I've already got ideas from my sociological studies about why everyday life in the form of communitarianism he advocates would quickly become unbearable. I was reading Richard Sennett before I'd even heard of climate change. Moreover, writing as a sociologist, Furedi should have no trouble acknowledging this either. Just look at the mission statement of Spiked:

"spiked is an independent online phenomenon dedicated to raising the horizons of humanity by waging a culture war of words against misanthropy, priggishness, prejudice, luddism, illiberalism and irrationalism in all their ancient and modern forms. spiked is endorsed by free-thinkers such as John Stuart Mill and Karl Marx, and hated by the narrow-minded such as Torquemada and Stalin. Or it would be, if they were lucky enough to be around to read it".

So it seems the definition of a "free thinker" certainly need not entail any exclusive reliance on the scientific method. If the challenge is to escape the dangers of academic rumspringa and peer review as holy writ, those who have sensed Steve Fuller waiting in the wings, can feel relieved that I can now bring him to centre stage. His record speaks for itself, as it is clear he would find common cause with Spiked in principle. To escape the twin dangers I've been discussing though, he would also insist, as a social epistemologist, on reading together the "two Karls": Marx and Popper. Indeed, mentioning Fuller at this point provides a convenient way of bringing this post full circle. Back in 2000, he was interviewed in the journal Configurations (8/3/pp389-417), and had this to say about the choice of research problems for many academics. Permit me to drop this science on you. It is a description of how many folks follow the path of least resistance, which reminds us that Zizek et al are symptomatic of a general, institutionalised character type:

CMA: To what extent, if any, are research problems dependent on the researcher's interest profile, taken in a psychological sense?

SF: You know, I'm a very funny kind of academic, because I don't have a very high opinion of academics as a group of people. My impression of academics is that they basically stick with what works. Let's say you're a graduate student and you spend a certain time working on a thesis. (This is so true in the United States, where people end up taking their thesis and making it into the basis, the methodological basis, for what they do subsequently.) They do this thesis, they've got this method, they manage to publish a few articles that get them some initial visibility in the field, and then they say: "Well, gee, people seem to like this. Let me see how many different ways can I do the same thing for the rest of my life."

CMA: So we are back to B. F. Skinner?

SF: I really think old B. F. is underestimated. The guy had some ideas, though he wouldn't call them that! He had some good conditioned responses, I should say. But in any case, his take on things is largely true--and so disappointing.

CMA: But is there something more to it than just positive feedback, so to speak, or reinforcement? Some motive or motivational structure of belief?

SF: I've always found it very hard to figure out why people go into academics. I don't actually think many people go into it because they've got an idea that they want to promote. If you were a naive observer on the scene, you might think that was the reason people would go into academics. But my experience with students and colleagues, even the very bright ones, is that that's not really what they are about. Once they find something that works, they simply stick with it. They like the environment or the lifestyle or something about academic life. Then they ask, "What do I need to do to be recognized as one of these people?" Thus, I find a lot of academics are almost pathologically interested in having other people in their fields respecting them. There's such a great deal of concern about that it ends up really influencing the problems they choose, etc. Of course, even ambitious people will always think certain "respected" characters are idiots, and they wouldn't want to please them for anything in the world. Nevertheless, it never ceases to amaze me how often academic discourse will revolve around: "Well, you know, X was in the audience at my latest talk and, you know, he asked me a very pleasant question and I think he likes me . . ." I don't think this way myself, but I think most people think this way and that's why they end up working on the kinds of topics that they do. It's not because they come in wanting to work on the topics, or anything like that.

Sunday, 7 February 2010

Britney is cheaper.....



Seeing this clip inspired me to dig around for some media sociology. You probably won't find anything comparable in the blogosphere though, where Kittler, McLuhan, Baudrillard, Zizek et al are the order of the day. An excellent critical response to the Canadian media theorists, McLuhan, Innis, can be found in Alan O'Connor's book on Raymond Williams, but I can't pass up this article. Here is another good overview of the contemporary relevance of Williams to television studies. I ordered a whole swag of books yesterday, including McGuigan's Cool Capitalism, so fortunately the aforementioned theoretical prejudices have been unable to completely dictate the terms of what publishers are willing to produce.

What I'm pointing to here, of course, is the publishing trend I've discussed before on this blog. I could have just as easily written that "Continental philosophy is cheaper", or Zizek is cheaper, or "Baudrillard is cheaper". The analogy holds in so far as the crisis in scholarly publishing has pushed more towards the production of textbooks or recondite, philosophically oriented cultural analysis, operating at a level of abstract generality where they are less likely to alienate readership outside of their original context of production by being too specific. An added bonus, from a publisher's point of view, is that production is both cheaper and faster, and hence more adaptable to market fluctuations, as it is not detained too much by painstaking empirical considerations. The irony therefore is that the theorists in question are prone to reading "abstraction" at face value as the dominant feature of contemporary capitalism, but don't seem prepared to countenance the fact that their networks are the beneficiaries of what they claim to deplore. So there's some compelling reasons why reflexive disclosure must be avoided by some bloggers! This common pitfall makes me more appreciative when I come across someone like kvond who can think reflexively.

Luckily I am also able to find solace with authors such as Bryan S Turner and Chris Rojek, who have attempted to mobilise sociology against the style of analysis I've been describing, which they refer to as the decorative turn. One of its chief characteristics is the penchant for oracular pronouncements, with the theorist descending upon the readership, like a god from a machine. Take Zardoz for example, who has nailed Zizek's style perfectly:

Now before anyone gets too judgemental about the justifications for this critique, it is advisable to first thoroughly study Turner and Rojek to understand the alternative they are substituting. They are offering more than the relativism associated with strong social constructionism, in their turn to "the social". But I still appreciate how social constructionism can act as a way station for later arrival at a more epistemologically robust position.

I can actually date my awareness of social constructionism to when I was about 12 years old. I was at home watching the "Punky Business" episode of The Goodies comedy series. I didn't know much about punk at the time, but I still sensed that most of the satire was hopelessly out of touch with why people wanted to become involved in such an exciting scene. The part though that did catch my attention was the program's scepticism about some of the music journalists who attached themselves to punk. The basic idea that some people were really making the news, and not just reporting [sic] it, brought home to me the opportunism that can be a feature of any scenius. To this very day, I chuckle at the memory of the satire of Caroline Coon in the form of a character called Caroline Kook (wonderfully played by Jane Asher). Kook cynically observes that the music press faces the imperative to always have a new scene to hype, or they would lose their market appeal to inform the otherwise clueless about what was hip. This can amount to much ado about nothing, which I was reminded of many times when reading Melody Maker and New Musical Express throughout the course of the 1980s (I found the Manchester scene after Joy Division, for example, boring beyond belief).

The point of this anecdote is that the novelty of change is commonly exaggerated. I say this in part because it concurs with Turner and Rojek's reference to Kierkegaard's words from 1846 to summarise the limitations of certain forms of contemporary theory. The Present Age describes a faux revolutionary age which purports to be addressing action, but which:

"transforms that expression of strength into a feat of dialectics: it leaves everything standing but cunningly empties it of significance. Instead of culminating in a rebellion it reduces the inward reality of all relationships to a reflective tension which leaves everything standing but makes life as a whole ambiguous: so that everything continues to exist factually whilst by a dialectical deceit..it supplies a secret interpretation that it does not exist" (p. 42-3).

Friday, 4 September 2009

The necessary inertia of philistine invention

I was looking back on my earlier "Melissa Gregg" post, and it got me thinking about possible positive connotations to the Foucauldian "technologies of the self" I had referenced there in only a fairly negative way. Suddenly I remembered Thomas Osborne. His work is highly attractive to me as it marks an escape from the cul de sac I see the aforementioned Harman and his defenders in the blogosphere trapped in, and the same might be said of their detractors, at least to the extent that they too play the game of subjectivism: i.e. this is at base a struggle to decide who has a monopoly on the creative energy needed to avoid disenchantment of the world. It logically follows, according to the fatuous standard of reasoning favoured by this select group of speculative realists, that those with the highest [sic] productive output have the requisite enthusiasm, meaning their opponents can only be parasites (or rather, "vampires").

Osborne in effect simply refuses these oppositions. Although the logic behind his argument is too complex to detail in full here, I can at least mention how Osborne speaks in terms of "philistine invention" rather than "creativity", and why the meaning and value of inertia, in his estimate, must also be rethought:

"One might observe at this point that not the least thing about the activity of inventiveness is that it is difficult, and that because of this one cannot necessarily see it happening at the time. Inventiveness is more often than not untimely –hence the critical import of the verdicts of posterity and, correspondingly, the necessity of a certain ‘negative’ aesthetics of creativity, the humility of acknowledging that even in acknowledging creativity itself we do not know what creativity is as such. What looks like inertia for some comes to a more objective, later generation as evidence of a breakthrough. And what might seem like a breakthrough can come to seem just like further inertia when viewed from a later more objective perspective. So, in the terms given currency by Stanley Cavell, it is precisely acknowledgement rather than knowledge that is the only orientation we can take towards inventiveness itself. In the light of history, in the light of reflection, the experts can tell us that Cezanne was a subject bearer of various powers of inventiveness. But was he a creative person? No matter. Such a question is an irrelevance, an effect only of our psychologism."

Suffice to say, this discussion becomes suffused with irony when speculative realists start to defend themselves by resorting to psychologism! Is a little methodological consistency simply too much to ask for? Speaking as someone who was trained as a sociologist, I can at least console myself with Osborne's observation that "sociologists make better philistines than most". I can't expect "philistine invention" to feature in the aforementioned epistemic wars. Part of the problem here is the medium of the blogosphere itself, the "clusterfuck" immediacy of which has proven especially receptive to that theoretical imbroglio known as "cultural studies"- an anti-discipline defined in part by consciously distancing itself from sociology.

But even in cultural studies circles there is growing recognition of the virtue of a sensibility somewhat comparable to "inertia", as Osborne defines it; in these rare cases it is acknowledged in all but name that Weberian disenchantment is a product of the increasing rationalization of academic labour. There is a difference though in the academy because the problem is not so much that academic journals are adapting to the shortened economies of attention that blogging and Google searching have accustomed readers to, but rather how academics are routinely expected to "multitask". Irrespective of the medium they engage with, (books, print journals or e-journals), what is greatly diminished is the reading time, (i.e. the inertia), required to evaluate and respond to the work of other scholars. To be sure, the fast food analogy Bowles uses to make her point is already familiar from Fuller's book on the transformation of universities by "knowledge management" principles, but it would go against the grain were a cultural studies scholar to cite a sociologist. In any case, her point still appears valid, and also further ratifies Ben Agger's argument that the "publish or perish" mentality is really a symptom of what he calls "fast capitalism".

I'm puzzled, however, why some bloggers (again, as referenced in my Melissa Gregg post) would attempt to present necessity as something of a virtue i.e. when you are destitute because of precarity you are obliged to keep moving, but this mentality merely engenders the dilemma Simmel once described:

"The frequent changes in fashion constitute a tremendous subjugation of the individual and in that respect form one of the necessary complements to social and political freedom."

There may be one final twist to this tale. By extension Osborne teaches us that a careful reading is necessary to understand that creativity is more than just an ideology. Indeed, this is his primary justification for rejecting the category of creativity and replacing it with the more inertia ridden idea of inventiveness. For an example of a contrasting perspective though, one need look no further than Ben Watson's rush to judgement:

"So I was forced to leap up and seize the microphone to voice my criticism of the way French philosophy, ever since Kojeve's lectures on Hegel, has hobbled along with a flawed dialectic; Sartre, Althusser, Foucault, Deleuze, Bourdieu, Badiou...they're compromised rubbish, and for very concrete reasons: France having had the most reactionary Communist Party on the planet...craven aspiration to bourgeois academic fame; the inability to think beyond the mind/body dualism of Descartes...which dualism immediately manifested in the conference as a stand-off between explanations of spectral music as a result of 'nature' or science'."

Friday, 7 August 2009

Making the university safe for intellectual life

In Twitter type mode today: only time for a brief rejoinder to my previous post. I just want to re-emphasise that the aim was to argue that there is something worth saving in the institution, something irreducible to the character types laboring under the limitations of current conditions. I've said enough in the past to make it very clear [I hope] that it would be very foolish to throw the baby out with the bathwater, which would leave only the blogosphere as a public sphere. It's not clear to me that much can be done for the blogosphere that would be capable of approximating the kind of prescription implied by the title of this post. But anything that could be done is precisely what is downgraded by certain tenured philosophers.

It's ironic that said academics can recklessly skate over the kind of argument I'm presenting here. I'm thinking, for example, of speculative realist Graham Harman, who on his blog makes some incoherent points about the kind of "mouthy punks" whom, he argues, dominate the blogosphere. Harman explains that his interest is only in democratising access to knowledge, rather than democratising knowledge production. I applaud Harman that he is willing to publish a book on Bruno Latour and make it available through open access. He is also willing to debate Latour in a public forum, thereby confirming the social epistemological imperative of having a democratic right of reply. But his distinction between access and production really makes no sense at all. Wouldn't it be the case rather that democratising access would have a "knock on" effect of collectively improving the quality of critical responses, thereby also holding the academic accountable by putting them on "trial"? It is also somewhat disingenuous of Harman to complain about bloggers flaming him behind pseudonyms, rather than standing behind their words. As an academic Harman should already be familiar with anonymous peer review, so in principle he has no grounds for taking exception to anonymous interlocutors. Harman should also understand that not everyone is employed by an organisation that values the expression of "academic freedom" to the extent to which he has grown accustomed as an academic, so it is entirely legitimate for bloggers to protect their true identities. An excellent critical entry point to get at the stakes of this argument can be found here (I recommend reading the responses to that post also, as well as following the links to Harman et al). Not coincidentally, much of that posting chimes with the reservations I've expressed many times about the continental philosophy blogosphere.

I say again: constructive criticism is indispensable, but it can only take place once some ground has been cleared by finding weaknesses in the arguments in question. Harman appears unconvincing then when he says that critics are only motivated by the resentment of not having a "project" of their own. Bullshit. I'm talking about a form of creative destruction that will clear a space for something else. I've always been consistent in this respect in the choice of alternatives I've substituted for the object of each critique. So in this spirit I will invoke again Fuller's social epistemological imperative of the integration of teaching and research in the university as a means of ensuring the continuous destruction of social capital:

"It’s a commonplace to describe the functions of the modern university as the integration of teaching and research. The original idea was for this integration to take place in each professional academic, whose duty to push back the frontiers of knowledge was matched by an equal obligation to make that knowledge available to the widest audience possible. In The Sociology of Intellectual Life, I discuss these two phases as constituting the creative destruction of social capital. Here’s what I mean.

Research involves the accumulation of social capital, as academics, investors and clients create the networks needed to produce and maintain new knowledge. Most, if not all, of these people are motivated by the desire for competitive advantage in the economy, the intellectual field or society more generally. However, the Enlightenment norms of the university prescribe that this knowledge not be limited simply to those able to pay for it; hence, the pedagogical imperative. For its part, teaching requires the translation of knowledge claims into a language comprehensible by those who were not directly involved in its production or, for that matter, are likely to extend it in the directions intended by those so involved. In other words, teaching aims to destroy whatever initial competitive advantage the researchers had. This in turn triggers a new cycle of knowledge-based social capital creation, which will be itself overturned over time, etc. The overall result is a constant stream of innovation that ensures the dynamism of the social order".

Fuller argues that as teaching and research have become more split, this ideal of creatively destroying social capital becomes a more remote possibility. The danger then of Harman's petty style of pedagogy, which necessitates a policing of his interlocutors, is that it attests to academia becoming the victim of its own success in a manner consistent with an emphasis on greater technical specialisation in the period since WW2. Breadth is consequently sacrificed for depth (remember Harman's injunction about not democratising production) and Fuller here echoes Ben Agger's basic argument that was cited in my previous post. The net result of the breakdown each describes is an absence of dynamism in the social order and a mirroring in the blogosphere of the worst excesses of a university unsafe for intellectual life.

So why can't we try instead for something other than the self-serving protection of academic real estate? If Harman's statements demonstrate the extent of his willingness to become reflexive about his knowledge practices, and their effect on others, then he does little to encourage greater interest on my part in his work. It's the reason I've stuck with Fuller. Perhaps it would be an interesting exercise to compare Fuller's critiques of Latour with Harman's general approach in his book The Prince of Networks (just Google to find the free downloadable copy). But until such a time, I will avoid his book like the plague.....

To get a greater sense of Fuller's perspective, I recommend listening to these podcasts:

Steve Fuller (Sociology), The Sociology of Intellectual Life

Monday, 15 June 2009

Thank you Melissa Gregg for this honest, damning indictment

God help you if you're a young scholar just starting out. Why isn't it mandatory then for academic departments to hand out copies of this article to their aspiring postgraduate students? Don't be fooled that you will be pursuing your research interests wherever they take you, and answerable only to your peers, when key decisions about research impact factors are made by bureaucrats and publishers. To be sure, what Gregg says here basically echoes something I had read years ago about the "crisis of scholarly publishing" written by John B. Thompson in Books in the Digital Age: The Transformation of Academic and Higher Education Publishing in Britain and the United States, but I still feel her article is invaluable by offering local evidence of a more global trend.

But Gregg's testimony should also be a sobering reminder for bloggers, given how much of the research produced in universities later becomes fodder for the blogosphere. It puts paid to the thinly disguised, self aggrandising recent claim of kpunk, for example, who argues that the best work in institutions are produced by those who had faced a period of destitution "outside". The problem is that his category is simply too broad (given the continual influx of "new blood"/postgrad students, along with young academics just starting their careers) and that the kinds of authors kpunk routinely cites as his confirmatory authorities where theoretical matters are concerned are themselves among the most successful byproducts of the institution, rather than shaped by any formative experience of "destitution". Perhaps such a characterisation holds to some extent in the independent/avant garde vs "the mainstream" music circles kpunk moves in, but if it is up to the critic to "redeem" these artists by interpreting them through academic concepts, then "destitution" starts to look more unconvincing as an apriori indicator of quality in that context as well.

Here's why: if you're a "teledon" like Badiou or generally otherwise renowned as per Fred Jameson, you will have so much autonomy in your work that the vagaries of anything like the ERA need never be of any real concern: you will be a nodal point in the academic network that exerts a huge gravitational pull, meaning you will be orbited by a large number of "satellites" i.e. other academics writing second order observations of your work, thereby consolidating your centrality in the collective attention space. As highlighted by the concept of "mundane excellence", the monopoly on resources available to you and the associated high comfort level act as a feedback mechanism, in turn generating more confidence and, not least, the ideas that power your productive output. This means it's not necessarily any experience of destitution "outside" the institution that makes a qualitative difference, given how the internal networks of each institution, and the larger interpretive community of which they form a component part, are themselves internally divided. Melissa Gregg really drives home this point. Oftentimes the central figures are able to produce the best work simply because they have the biggest monopoly on the resources needed to get things done.

But for those less fortunate academics, the only major problem used to be that you had considerable latitude to work to your own standards, with the result that you were never sure if you had achieved them or not. It is a problem that has been relativised since, rather than removed, given how the government now prescribes more targets. Then as now, this working environment can lead to a lot of depression and burnout (confirmation of this plight can be found in Fred Pahl's ethnographies of his fellow sociologists, virtually anything written by my sociological hero, Ian Craib, as well as in Andrew Metcalfe and Anne Game's Passionate Sociology). The academic might find themselves in a state of constant anxiety: no matter how many or how quickly the buckets are filled, they can still potentially spring a leak as soon as a peer identifies an omission in the argument or even the cited literature. Leaky academic papers can result in leaky selfhoods, which means a leaky agency lacking the resilience needed to push on through a fallow period. If nothing is ever definitively accomplished, in the same cut and dried manner as something as mundane as, for example, winning a tennis match, one becomes more susceptible to the structure of feeling known as melancholy (cf Gershom Sholem). It too can be understood as a kind of feedback mechanism, but one that fails to indemnify those who experience it. This results in a curtailing of creative expression and sometimes even dropping out altogether. Once this occurs the dominance of the more central figures in the interpretive community becomes a self fulfilling prophecy.

And then there is the feeling of powerlessness, of being fatuous, forced to live with a Cassandra complex in a world where revolutionary change is not close at hand. This is exactly the kind of dilemma that Adorno talks about in Minima Moralia. So basically the problems Melissa Gregg describes compound the earlier ones by adding a level of pressure from publishers and government alike. No doubt accountability is required to some extent, but surely not if it seriously compromises the historical function of the university as a site of free enquiry to the point where Australian academics can no longer even write about their own country!!

I don't have an institutional affiliation, so I have no vested interest in saying these things to damn bloggers and independent researchers alike tout court. To be sure, I've written before about academic "peer review" as a potentially more democratic distributive mechanism than the blogosphere, but I'm forced to concede it can be open to abuse too, in the sense that the "invisible college" can mean editorial panels can be stacked by personal acquaintances, acting under the pretence of anonymity, meaning that decisions are not always truly merit based. And of course, anonymity can make it harder to prove that someone has appropriated your ideas for their own gain if your work is rejected. But I am still confident that these reviews can be "blind" enough in most cases to ensure that abuses are not always the order of the day.

I've also previously mentioned how bloggers and independent researchers could be empowered if they could break the deadlock of publishers protecting their intellectual property rights: let's hope a greater push towards "open access" is not far away then. Academics could be held more accountable too if they were obliged to more often meet the independents "on their own turf" (i.e. journals), thereby having to respond to criticisms rather than just dismissing them as usual because of the medium in which they appear (i.e. blogs, or smaller publishers without the same standard [sic] of recognised gatekeepers). Open access would be a great way too for academic libraries to save on the hefty journal subscription costs that publishers force them to pay.....

Sadly though, this reference to libraries also leads me to think that the "Right Foucauldian technicism" that characterises theoretical research in cultural policy has come back to bite us on the arse, in the sense that the people who graduated with this mindset in the late 1980s have since gone on to staff the government departments that are now reshaping our educational policies in terms of the ERA "targets". Putting to one side, for the moment (as this mindset dictates), how education is supposed to be critical, the fact that it should also be practical has been subsumed by the understanding that it is primarily a technology for reshaping the conduct of liberal subjects. This in effect means that your subjectivity is perpetually problematised by being made aware of contingency. Capitalising on the dilemma Adorno spoke about (my "buckets" analogy), these Foucauldians then argue that culture offers a range of "solutions", that the citizen will then buy at the marketplace (I'm thinking here of Toby Miller's The Well Tempered Self, but I could also be talking about Tony Bennett, or older texts, such as Culture and Anarchy). Of course, these solutions only hold for a short time, and then new answers will be sought. It's the "society of control" described by Deleuze all over again, but the great irony is that many of those familiar with this text, be they in academia or the blogosphere, seem not to have thought too reflexively about their own information seeking habits in these terms. This is no trivial matter to consider: I certainly can't think of even one case when any of these people have explained how they found the current text they're writing about by visiting a library. Why this blindspot then? Is it because the required voracious reading habits can only be accommodated by the liberal solution of private consumption? Is this what it really means to always be on the "cutting edge"?

So Melissa's article has haunted me, as I've started to think more about how academia, and its variants in the blogosphere, can be easily co opted by the society of control. Indeed, this may well be the dark truth of Foucault's remark, "people know what they do and why they do it. Fewer of them know what they do does......" For example, this critical dimension regarding institutions is unfortunately lacking in Jodi Dean's contribution to Framing Theory's Empire. Dean contends that some people will become so disenchanted with difficult continental theory that they will turn back to simplistic empiricism. Dean compares this reactionary attitude to her own Southern Baptist upbringing, when she was told that all that was needed was the Holy Spirit contained in the Bible. I am arguing though that it is worth looking for a more reflexive, critical approach in the interest of navigating between the Charybdis of [certain strands of] continental philosophy and the Scylla of positivism. Clearly then it is not just the privatisation of research habits I'm concerned about, but how Dean writes as if the "difficulty" of her preferred texts somehow automatically exempts them from the locus of control, when in fact the opposite may be true. It hardly seems coincidental either that she also make disparaging references to "mainstream" and "conventional" theorists in a way that reminds me of the shortcomings in kpunk's piece (he's on her blogroll too, offering some proof of the continuities in their thought). In short, I was disappointed by Dean's response as Framing Theory's Empire was supposed to be focused on institutional histories, and such "social epistemologies" are in short supply nowadays. It's not clear to me that the dozen or so Zizek texts (!!!) Dean says are awaiting her attention next will offer any real assistance in this regard.

My argument therefore is that more thinking about what we do does, and its relationship to our information seeking behaviour, is a step in the right direction. Melissa Gregg offers a useful guiding light in her critique of business as usual in academia, and for this we owe her our thanks.

Sunday, 14 June 2009

The Resources of Critique

Derridata, you were referring to Paul Bowman's The Truth of Zizek, in the context of a discussion of some (belated) reservations of late about the canonical status of such figures in the blogosphere. But have you followed up yet on Alex Callinicos, who speaks admiringly of Peter Hallward (principally because of his critiques of Badiou, but Hallward has also disputed the idea of the "Deleuzian century")?I admit I was pleasantly surprised by Harman's comments on Speculative Heresy regarding Hallward, as there was no great effort to downsize the significance of "the empirical", unlike many of the bloggers I've seen extolling the virtues of Badiou et al on account of how "abstraction" can [allegedly] act as a critical sensitising device against "finance capital". It would be foolish though to suggest that Callinicos and Hallward have signed, sealed, and delivered to us a definitive critique (remember this?), so it's probably better to think in terms of a starting point that echoes, to a certain extent, some of the reservations already expressed on this blog regarding continental philosophy more generally. Send me an email if you have any more thoughts about this....

Friday, 15 May 2009

Dietrich Scheunemann

It seems I've virtually chewed up all of my allocated bandwith for this month, so my broadband speed has been virtually strangled as a result by the ISP. This makes it harder to find interesting stuff to blog about, letalone do the research I need for my other [paid] work. As a result my planned posts have had to be temporarily put on hiatus until things pick up again.

Be this as it may, I couldn't resist putting up something about one of my favourite topics: the politics of the avant garde. My reflections are spurred by noticing a lot of stuff in the blogosphere of late (i.e. in the Continental philosophy meets avant garde music blogosphere) debating the claim that capitalism has now accelerated to the point where cultural innovation has become exhausted. This occurrence is then used to explain why creative energies have [allegedly] lain fallow in popular music.

By way of a response, two central questions have arisen for me. Firstly, how can these claims be qualitatively and quantitatively differentiated from the posthistoire trope that has characterised modernity even long before Gehlen's proclamation in 1963 of a state of "cultural crystallisation"? If they can't be, then it is difficult to see that there is really anything unique about the current state of affairs. I suppose one available option is to ascribe causal primacy to an intensification of the forces of production, leading to programmatic interpretations of the relationship between base and superstructure, and even the "virtualization of the human". This approach, which is dubious because of its reliance to varying degrees on forms of technological determinism, constitutes the essence of "cybermaterialism". In these terms, the bloggers in question are in effect describing a formal correspondence with the musicians they write about, who can now more freely sample and manipulate sounds through digital means, much in the same manner as the blogger who is able to cut and paste hypertext. So culture eventually becomes recycling rather than innovation. This state of affairs is then quickly generalised to encapsulate our collective, inherited historical fate.

In the latter form reference is made to "the postmodern condition" and/or "the information age". And so to my second question: I wonder if the story would be so neat if the quantitative/qualitative issues I've raised were mapped to a cultural sociology of the avant garde? One of the major reasons I say this is that so many of these discussions in the blogosphere are framed with reference to Fred Jameson's thesis, without having acknowledged its inherent problem as pinpointed by Dietrich Scheunemann: Jameson conflates postmodernism and avant garde. So I'm forced to agree with Scheunemann that there is plenty of scope to test the heterogeneity of the avant garde's creativity, which can then be compared and contrasted with resurgent notions of "posthistoire". But it's also not sufficient to adduce evidence from one facet of the arts, as this simplifies the myriad of network relationships the avant garde (s) have attempted to involve themselves in over time, with varying degrees of success. This fact explains why Scheunemann was involved in a working group that produced around 21 books and anthologies on the subject. The extent of this activity hardly attests to an exhaustion of creative energy.

My own thought is that the avant garde will continue to perform its usual role for popular culture: a kind of weather vane offering advanced warning of impending conditions. We'll thus continue to see pioneers receiving belated recognition by their successors, who have managed to synthesise the original's creative approach into a more palatable popular form, thereby reaping the financial rewards in the process. But before leaping to the conclusion that this is only a pessimistic lesson about the taming of radical impulses, I would recommend weighing up the breaks, as well as the continuities. Reading Scheunemann as well as David Hopkins' (ed) The Neo Avant Garde is a positive first step in this direction.

The next step is to qualify the extent of "cultural exhaustion" by acknowledging how our common beliefs and interests may "constitute a res publica: a virtual public sphere that unites the critic and the criticized in a common fate in the empirical world" (S.Fuller, The Knowledge Book, p. 16). The inference that may be drawn from Fuller, with reference to the blogosphere critics I've discussed here, is that they have failed to play the social epistemologist's role of the interested non-participant. Were they to have followed Fuller's dictum, a greater sense could have been imparted of how "the relevant res publica may shift according to whom the critic is criticizing". Instead, a high degree of narcissistic identification between bloggers and musicians hypostatises the dilemma of all avant gardes with no troops left behind them. Or rather, as an exasperated Raymond Williams wondered aloud (when responding to Stuart Hall's diagnosis of "the toad in the garden"; i.e. Thatcherism), "will there be no end to petite bourgeois critics making long term adjustments to short term situations?"

Saturday, 9 May 2009

Defending social theory in/from the blogosphere

I tried not to sound unreasonable in this exchange, so I'm glad things remained at the level of a civil discourse, rather than degenerating into a tirade (with a swarm of that blog's faithful readers doing their best to trash me). Kudos to Steve then for his gracious concession, as it is a critical point I have been banging on about on this blog for ages. Moreover, I think there is added significance, coming, as it does, from one of the nodal points within that particular network of cultural theory.

Wednesday, 15 April 2009

The Charmed Circle of Ideology: A Critique of Laclau and Mouffe, Butler and Zizek

Is this book's critique of contemporary Continental philosophy comparable to some of my posts? I like the targeting of "idealism", but the only way I can find out for sure is to download the book for free:

Description

Set against the collapse of social theory into a theory of ideological discourse, Geoff Boucher sets to work a rigorous mapping of the contemporary field, targeting the relativist implications of this new form of philosophical idealism. Offering a detailed and immanent critique Boucher concentrates his critical attention on the ‘postmarxism’ of Laclau and Mouffe, Butler and Žižek. Combining close reading and careful exposition with polemical intent, Boucher links the relativism exemplified in these contemporary theoretical trends to unresolved philosophical problems of modernity. In conclusion Boucher points to ‘intersubjectivity’ as an exit from postmarxist theory’s charmed circle of ideology.

Contents

1. Introduction: The Postmarxian Field
2. New Times: The Emergence of Postmarxism
3. Crop Circles in the Postmarxian Field: Laclau and Mouffe
4. The Antinomies of Slavoj Žižek
5. The Politics of Performativity
6. Conclusion: The Charmed Circle of Ideology

Saturday, 11 April 2009

Theory's Empire

Returning to the subject of my favourite critical essays, the choice is made more difficult in terms of what is readily available on the Internet. I don't want to start sounding like a broken record, so I will change up again soon the topics I'll be blogging on, but I couldn't resist putting up for consideration here Peter A. Jackson's treatise on method. It is more nuanced and compelling than the stark opposition between empiricism and Continental philosophy, which I referenced in my post commenting on Fisher's critiques of Terry Eagleton. I think it can also, read in tandem with Janet Wolff's piece [as featured in my previous post], offer the beginnings of an explanation for some of the things that have gone wrong, both in the academy and now in the blogosphere (or rather that segment of it I prefer to refer to as the "noosphere" dominated by the application of Continental philosophy in cultural analysis).

It is important to note particularly the corrosive effects of the formalism of such work. Jackson moves between epistemological and institutional issues with commensurate skill, in a manner that could characterise him as a social epistemologist. Remember, I've cited Steve Fuller's remarks elsewhere on this blog to the effect that social epistemology can legitimately "sometimes be deconstructive". So I wonder then if those academics and bloggers alike who utilize the formalist approach Jackson critiques in his piece, have ever followed up on a text cited by Jackson? i.e. Theory's Empire: An Anthology of Dissent (2005). Somehow I doubt it because formalism prevents reflexivity about one's chosen methods (it's easier to substitute Zizek quotations for arguments, right?). Here is one of the more telling quotes cited by Jackson:

Things could have been different [in the reception of critical theory in the American academy] if the English professors who were the first to welcome poststructuralism into the undergraduate curriculum had had some grasp of elementary philosophy, or some feeling for the philosophical tradition. They were, quite simply, poorly trained. The problem was not so much the works of Derrida, Roland Barthes, Michel Foucault and Jacques Lacan — each deserves a place in the undergraduate curriculum — but the way their various approaches soon emulsified, in less able hands, into the bossy credo we now call Theory.

Fascinating enough, to be sure, but the real killer blow is delivered by Gasche, and also cited by Jackson:

"Yet what does theory mean in this context [the humanities in the western academy; to which I would add now the noosphere] except the all too often naive and sometimes even, given its uncontrolled and unwanted side effects, ridiculous application of the results of philosophical debates to the literary field?"

Thanks in part to the Internet though, this method has now spread across the entire field of cultural criticism. So thank you Rodolphe, you've made my day.

Tuesday, 7 April 2009

Cultural Studies & the Sociology of Culture

This is one of my all time favourite critical essays. It has inspired me so much ever since I first read it. I know that the sociology of culture has had little, if any, penetration into the blogosphere, which quickly becomes obvious as soon as anyone looks into the predominant meeting of Continental philosophy and avant garde music (what I've elsewhere called "cultural journalism"). It is an interesting exercise to compare such work to some of the "musicological" examples Wolff takes to task, if memory serves correctly, in the introduction she coauthors with Andrew Goodwin to the volume edited by Elizabeth Long, From Sociology to Cultural Studies. That introduction is a marvelous companion piece to the essay I've linked to here. Afterall, criticism is fairly pointless unless it offers a constructive alternative.

I just figure, in the same spirit, that there should always be room for a few [more] contrarian bloggers. Given this blog's iconography of the mummified space jockey, it should be obvious that in principle I don't really have much of a problem with banishment to the outer limits. Maybe it is sometimes possible from this position to enjoy a greater latitude to be exploratory and critical than those constrained by the discourses Wolff describes.

Shaviro on Birbeck: "what happened to political economy?"

Derridata, in case you're still putting together a response to Mark Fisher, thought I'd mention this assessment of the conference by Steve Shaviro (not sure if you've already read it). This is one of those times when I find myself really enjoying Shaviro's work, as he proves again that he is one of those rare persons who knows the work of contemporary Continental philosophers really well, without needing to always throw in his lot with them (unlike the hermetic exegesis one often finds in the Continental blogosphere), letalone the positivism Fisher tried to identify as an inadequate alternative.

Reading Shaviro's report, it struck me that Badiou must really be digging himself into a hole when Ken Wark can call him out on a critical point, and sound convincing too!!! Kudos to Shaviro for such a balanced report of this event, and it's always refreshing too to see a bit of doubt expressed about Zizek. I still haven't recovered from that Eurocentric garbage Zizek wrote a few years back claiming that Taoism and Buddhism are emerging as the dominant ideologies of "virtual capitalism". Adopting his usual slapdash approach, which in this instance involved some off the cuff remarks about Star Wars, no appeal was made to any evidence taken from actual Buddhist scriptures or literature such as Amata (the subject of one of my previous posts). Therefore no rational person could read that book, or study the Thai public discourse surrounding it, and conclude [with Zizek] that Buddhist ethics merely encourages a withdrawal into the self as an escape from material reality. Anyone wanting to understand cultural exchanges between East and West, would be better served by studying civilizational complexes (Shmuel N. Eisenstadt), Robert Bellah, "multiple modernities", Aihwa Ong, please anything really, other than Zizek....

This reference to Zizek reminds me of the felicity of the phrase Shaviro uses in a critical manner, "voluntarism". The danger here of course is that voluntarism cannot be corroborated, or "grounded", if you prefer, with the result that philosophy merely becomes a self legislating activity. So once again this conference provides much evidence of the "noosphere" tendencies I have earlier remarked upon on this blog, albeit presented in the guise of "radicalism".

Friday, 3 April 2009

A brief comment on Fisher's "A Return to Communism?"

Derridata, I've just read the piece on A Return to Communism which you passed on, and I look forward to an elaboration of your critiques of it. I was bemused by the reference to "Anglo Saxon empiricism" that was used to set up a simplistic opposition between the Continentals and [implicitly] sociology/social theory. I believe such oppositions are much too crude to do justice to the more interesting work that is willing to mediate its more avowedly theoretical modes with empirical observations. I'm sure you would concur by thinking of Jane Dark's critique of Badiou's theory of the state, Pheng Cheah's response to Derrida's work on the nation state, and Aihwa Ong's reservations about Hardt and Agamben, with reference to the plight of guest workers (also referred to by Cheah). Fisher even concedes that Balso correctly [i.e. empirically] notes the authoritarian measures immigrants are increasingly subjected to by the state, but I get no sense from his work of how consistently this could sit with his valorisation of the authors in question on account of their implicit downplaying of empirical considerations (i.e. Badiou et al).What would a treatise on method written by Fisher look like then?

Should this perhaps be a question of what kind of "empiricism" is really at stake? I feel Fisher uses Terry Eagleton to whitewash this important methodological problem. For starters, it's hardly any great revelation that there is a deliberate kind of "hamfistedness" in Eagleton's work. This point is convincingly driven home in The Continuum Encyclopedia of Modern Criticism and Theory. The irony is that Eagleton has taken it upon himself to be the spokesperson for Raymond Williams, one of the last British historical materialists capable of straddling the theory/empirical divide in a sophisticated manner. I wasn't at the conference Fisher refers to, but I'm guessing that this legacy was not [sufficiently, if at all] acknowledged by Eagleton, letalone Fisher's Continental brethren. So it seems this responsibility has to be taken up elsewhere by the likes of Gary Hall, who as we both know, is even willing to draw Williams into a discussion with the "wild realism" of Gilles Deleuze!

As for myself, I've never critiqued the "abstraction" of Continental philosophy from a simplistic empirical perspective. No, I wrote an entire thesis that attempted to justify a methodological prioritisation of a constructivist realism. This featured an extensive dialogue between Williams, Derrida, Luhmann, Wendy Wheeler et al.

I'm also unconvinced by Fisher's attempt to blame the commonsense of "Anglo Saxon empiricism" for the UK falling prey to the abstraction of finance capital. Afterall, how would his thesis explain the situation occurring in France itself, where commonsense dictates the opposite?: i.e. where the abstractions of French theory are the order of the day, the very ideal of what it means to be a public intellectual, and by extension, a member of the commentariat [sic]. Moreover, it takes a detailed empirical work such as The New Spirit of Capitalism to critically expose the elective affinities that manifested in a managerialist revolution that first took place in France. As demonstrated by Boltanski et al, this involved commodification of the [abstract] spirit of creativity itself; a spirit which Fisher appears to [solely] subsequently invest with emancipatory potential ("it will require nothing less than the construction of a new type of human being [sic]").

I am therefore suggesting that a critical reconstruction of the idea of creativity is required to prevent it from becoming a conceptual wildcard. This draws my attention towards work on "creative democracy". Suffice to say, I am having difficulties imagining how such work could ever prove conversant with Fisher's attentiveness to "capitalist realism" (the title of his forthcoming book).

Wednesday, 18 March 2009

Ghosts in the academic writing machine?

I immediately suspected that Latour would have cited Gabriel Tarde as a precursor to actor network theory. So one needs to be extremely careful about where the critiques of cosmopolitanism in Schillmeier's article could end up taking you.

Derrida also wrote a slim volume on cosmopolitanism (a popular term in social theory that has been favourably mentioned previously on this blog), so I must check the bibliography of said article, and once I get hold of it, trace other elective affinities as well.

It's the sort of conversation that I believe could and, moreover, should, be taking place more generally in Continental philosophy circles as well (including the blogosphere), but it does not seem to be. From what I've seen lately on blogs, the greater focus there is on (the usual, hermetically closed off, internal conversations) regarding subjects such as whether Deleuze's philosophical system presupposes a biological metaphysics.

Fine, do a rigorous scholarly philosophical reading in such terms, but even if you disagree with the conception of philosophy as "underlabourer" for the social sciences, why not still attempt to foster as well a more expansive public debate, say along the lines of the Steve Fuller references I've also listed here? Why just address another philosopher and not the representative of another discipline or some other greater public interest/representative? By the same token, why just append some contemporary philosopher to the latest movie, dubstep album etc, as per usual in the Continental philosophy blogosphere, when you are not really logically obliged to stand behind your words by being made answerable to the subject in question? How high, really, are the stakes in those kinds of "analysis" anyway? [once they become ends in themselves]

I say this because I can remember derridata voicing some strong critiques years ago of a fellow philosophy postgrad who was deep in the throes of a doctorate: "it should be finished soon...it's practically writing itself". Precisely my point: the student becomes a mere ghost in an academic writing machine, thanks to the autonomy of the discourses in question. It's almost like a game.

I know that someone such as Geoffrey Bennington would argue that my line of reasoning presupposes "already knowing what politics is", so it can only amount to something like "journalism". But surely this pro forma response is itself nonsense? For how could a philosopher already know what form the conversations would take until they had made the leap of faith and attempted to dialogue with the other? Bennington writes commentaries (or exegesis if you prefer), but he also teaches in an institutional setting (a university), where surely he does not believe that such a formal setting, by virtue of its very existence, closes off all possibilities for dialogue? It's hard to see how he could justify his existence as a [tenured] philosopher if he believed otherwise. So why wouldn't the same principle apply in other formal (or even less formal) settings, albeit outside of the academic circuit, where Bennington could also test his philosophical propositions?

I don't mean to imply in every case this requires participating in something like a science court. It could be as simple as posting some thoughts to a blog [outside one's immediate area of expertise] that addresses important scientific debates with clear public ramifications, such as, for example, Telic Thoughts.

It's one thing then to argue that the death of the author thesis absolves the academic philosopher of personal responsibility, and that the upside of this is that your work will be taken up subsequently in all sorts of other contexts you cannot personally control (so writing is like a message in a bottle). Changing metaphors, it's another thing though to acknowledge that the apple does not usually fall very far from the tree, which becomes immediately obvious when one notes the similarities between academic practice and what goes on in the Continental philosophy noosphere. The only difference I can see is a greater willingness by the latter to apply the canon to popular culture, but with the publication of titles such as The Matrix and Philosophy, even that gap may be rapidly narrowing. How about a reflexive inquiry then to try to explain why this might be the case? I'm pretty sure though that thinkers such as Zizek would only be pleased with these developments, as he has cannily played both sides all along. Of course, I'm not claiming that none of this kind of work can be of any value, I'm simply wondering why so often it seems in some circles to be "all there is".

And so to some articles I hope to acquaint myself with before making any further attempts to try to fill in the gaps.....


The Social, Cosmopolitanism & Beyond Michael Schillmeier

History of the Human Sciences 2009;22 87-109
http://hhs.sagepub.com/cgi/content/abstract/22/2/87?etoc
History of the Human Sciences 2009;22 87-109
http://hhs.sagepub.com/cgi/content/abstract/22/2/87?etoc

Review symposium: Steve Fuller's The New Sociological Imagination: introduction: Steve Fuller, The New Sociological Imagination. London: Sage Publications, 2006. 240 pp
Zaheer Baber
History of the Human Sciences 2009;22 110-114
http://hhs.sagepub.com/cgi/reprint/22/2/110?etoc

Fuller's project of humanity: social sciences or sociobiology?: Steve Fuller, The New Sociological Imagination. London: Sage Publications, 2006
Francis Remedios
History of the Human Sciences 2009;22 115-120
http://hhs.sagepub.com/cgi/reprint/22/2/115?etoc

The fabrication of man: Steve Fuller, The New Sociological Imagination. London: Sage Publications, 2006
Peter Baehr
History of the Human Sciences 2009;22 121-127
http://hhs.sagepub.com/cgi/reprint/22/2/121?etoc

Disenchantment of the world and the devaluation of human species: Steve Fuller, The New Sociological Imagination. London: Sage Publications, 2006
Chai Choon-Lee
History of the Human Sciences 2009;22 128-132
http://hhs.sagepub.com/cgi/reprint/22/2/128?etoc

Fuller's nostalgic imagination: Steve Fuller, The New Sociological Imagination. London: Sage Publications, 2006
Christopher Kevill
History of the Human Sciences 2009;22 133-137
http://hhs.sagepub.com/cgi/reprint/22/2/133?etoc

In search of sociological foundations for the project of humanity: Steve Fuller, The New Sociological Imagination. London: Sage Publications, 2006
Steve Fuller
History of the Human Sciences 2009;22 138-145
http://hhs.sagepub.com/cgi/reprint/22/2/138?etoc

Ghosts in the Machine: Publication Planning in the Medical Sciences
Sergio Sismondo
Social Studies of Science 2009;39 171-198http://sss.sagepub.com/cgi/content/abstract/39/2/171?etoc

Saturday, 31 January 2009

Some more thoughts on "carbon chauvinism" & related issues

It feels like time is conspiring against me. I doubt I'll have time to post some stuff I had planned before I take off on Feb 11th; not least clarification of my misgivings about actor network theory (and whether it was possible to draw any inferences from that in regard to speculative realism). All I had time for yesterday was some minor tweaking of the "carbon chauvinism" post. Let's just say for now that the crux of the matter is speculative realism's questioning of the equation: ontology = politics. I am not saying that philosophers such as Harman respond in the same way as actor network theory, but anyone wanting to learn more about ANT's incoherent treatment of these relationships, is advised to read Andrew Feenberg's incisive critique. What I would like to know though, which will require reading his book on Latour, is why Harman was so attracted in the first place to Latour when his shortcomings are so readily apparent? What allowance can be made for these shortcomings without succumbing to the dreaded sin of philosophical cherry picking?

There are a few other things which bother me too. Robert Fine's point in "What's Eating Actor Network Theory?" is well taken (sadly the freely available version has disappeared from the web) when he argues that ANT tends to fluctuate between minute descriptions of the particular and rather abstract generalizations about all networks. So I'm wondering how readily speculative realism equates to the first part (since it in effect renounces networks for the sake of focusing on the "objects themselves") of this description. For example: dust mites, anyone? (if you recall the example used in the link to an article on speculative realism in my "carbon chauvinism" post).

I suppose one possible response to this line of questioning would be remind the sociologist that it is the absence of human mediation that defines the "alien" nature of the entitites falling under the rubric of speculative realism. To be sure, this blog has touched on "alien" modes of theorizing, in posts such as "Some Kind of Monster", which focused on the meeting of deconstruction and systems theory, and in a separate discussion of Kodwo Eshun's More Brilliant Than the Sun. Anyone who spends enough time poking around Harman's blog will soon discover in abundance various links to the likes of Steve Shaviro holding court on H.P. Lovecraft's fiction as providing a touchstone for understanding how the roots of horror can be traced to the "indifference" of "the Ancients" to human endeavours (I'm puzzled though as to why Shaviro would not construct an argument clarifying his position by engaging with other works that touch on comparable concerns, such as, for example, Noel Carroll's Philosophy of Horror). Fascinating to be sure, but how exactly do such fictional works explicate the "realism" of a host of other "objects" more likely to inspire indifference or accusations of triviality on the part of humans, once they garner some inkling of their existence? Once you start to think along these lines, it becomes harder to suppress the feeling that Lovecraft provides a dramatis personae for a field of inquiry where otherwise not a great deal appears to be going on. Moreover, to be logically consistent, no great "discovery" could be permissible, or the philosophy would risk compromising its own "speculative" nature. Such dilemmas remind me of the performative contradiction Adorno was ensnared by when he yearned for the "lost immediacy" of Nature (as chronicled so brilliantly by Steven Vogel in Against Nature: The Concept of Nature in Critical Theory).

Of course, appearances can be deceptive, and my questions are intended to be more exploratory than critical [at this stage]. As per the "carbon chauvinism" post, colonists need have no awareness of xenobiology, from which it would follow that anything they don't already know about, will probably not be considered worthy of space probing and exploration (i.e. it will be treated as trivial, so they will remain indifferent to it). Under such conditions, objects may be able to retain a modicum of autonomy from human intervention. But I was also hinting at how speculative realism could [inadvertently] serve as a sensitising device by which such colonists could develop an awareness of things that may otherwise have escaped their attention. At that point the respective parties would feel obliged to bite the bullet, by making a binding decision about which direction they wanted to go (I regard Robinson's Mars Trilogy as providing a credible template for their available options).

There is a sense therefore in which it seems philosophers could feel justified in accusing me of doing theoretical violence to their work. At best, I might be viewed as arguing at cross purposes with them. Or so it would seem. By contextualising speculative realism via astrosociology, I am actually more interested in reinforcing the social epistemological imperative of epistemic justice. The basic reasoning here is that everyone needs to be held accountable to a higher standard than the intended consequences of their actions/works. I referred to Steve Fuller on previous occasions as his work demonstrates a scepticism about the manner in which the interpretive community of continental philosophers conduct their business in the form of an internal conversation. The implication is that there is something self serving, or at best naive, about the following kinds of statements. Consider then how Alphonso Lingis expounds on the rationales behind philosophical reflection:

"Did not Nietzsche say that philosophy is the most spiritual form of the will to power? ...Philosophy is abstract and universal speech. It is speech that is not clothed, armed, invested with the authority of a particular god, ancestor, or institution, speech that does not program operations and produce results, speech barren and destitute. ...Then what is distinctive about philosophy is not a certain vocabulary and grammar of dead metaphors and empirically unverifiable generalizations. One's own words become philosophy, and not the operative paradigms of a culture of which one is a practitioner, in the measure that the voices of those silenced by one's culture and its practices are heard in them" (Abuses, p. ix, 1994).

A seductive conceit, to be sure, but I remain unconvinced that it has quite succeeded in escaping the problematical aspects of the discipline Lingis mentions in passing (which I've placed in italics.) Adorno, for example, identifies the flip side of the same coin. In Negative Dialectics he is describing the sense in which there can be something fatuous, and even opportunistic, about the reading "method" adopted by those philosophers whose interests wax and wane as if they were a fashion statement:

"No theory escapes the market anymore: each one is offered as a possibility among competing opinions, all are made available, all snapped up. Thought need no more put blinders on itself, in the self-justifying conviction that one's own theory is exempt from this fate, which degenerates into narcissistic self-promotion, than dialectics need fall silent before such a reproach and the one linked to it, concerning its superfluity and randomness as a slapdash method. Its name says to begin with nothing more than that objects do not vanish into their concept, that these end up in contradiction with the received norm of the adaequatio."

These tendencies have only accelerated with the growing bifurcation between so-called Mode One and Mode Two knowledge. Hence the importance placed by Fuller on the university as a social technology for the distribution of knowledge as a public good. Consistent with his call for epistemic justice, Fuller is urging the protection and enhancement of the founding democratic characteristics of the university, which ensure that knowledge can be put to use outside of its institutional context by people [students] who had nothing to do with its original production. This is another salient reminder of why academics need to be mindful of epistemic justice. By extension, philosophy cannot remain a self legislating activity, in the manner prescribed by Lingis.

I would also point toward the theory of articulation: you have to start with where people are before you can move them somewhere else. This is politics as the art of the possible, implying a long march through the institutions. Sadly though, I followed enough of the links through Harman's blog to discover that the continental blogosphere is generally more entranced by theories of total opposition, hence placing great store by new social movements. But I don't see why a "post hegemonic" politics need be the exclusive option. This was reinforced when one man had done commenting on Shaviro's Lovecraft post, and then threw in, on his own blog, almost as a casual aside, that he had no time for consensus conferences!! But why marginalise a social democratic approach that has a proven track record in creating public awareness of "post normal" science? What's wrong with having those affected by a particular form of knowledge sitting on judgement as to its applicability, say, in the communities where they live? And why couldn't consensus conferences be a catalyst for other forms of activism, including social movements?

Suffice to add, it was the random nature of the blogosphere in these instances that led me to revisit Kim Stanley's vision, as this is closer to my preferred form of "speculative realism". For not only does it encompass the cluster of issues I've raised here, but it does them justice in terms of the breadth and depth brought to bear upon each.

It also reminds me of why I need to experiment with another forum in order to test some of these propositions in relation to astrosociology. I'll leave the door open, just in case any philosophers choose to reply as they see fit, but I learned early on, in my encounter on this blog with a philosopher of "ruins", the possible limitations of such exchanges. I also know not to expect too much when "transmitting warning signals from the outermost rim of the information grid." As it happens, I've got a whole bunch of other commitments about to land on me, so while there's time, I'll have to try to commence work on these other writings. I suspect my blogging will probably atrophy as a result. There is still so much other more compelling stuff to follow up on, including arguments about the "speculative" nature of either evolution or Intelligent Design. For here is a public debate with high stakes, a lot of passion, and complexity to burn.....