Tuesday, 6 March 2012
Control of the Undead
When does a life begin? When does a life end? And who decides?
Birth and death, the indisputable boundaries of life, over which none but destiny or the gods wield control, have been embedded in cultural activity since the beginning of time. It is not the actual event, but rather the confirmation of birth and death and the repetition through magical rites, religious ceremonies, bureaucratic acts and medical intervention which allow us to enter the community of humankind and leave it again upon our death. In fact, natural or biological factors are just as significant for determining the beginning and end of life as are cultural and historical factors.
The malleability of life’s boundaries through culture (which could have sparked the formation of human culture to begin with) appears to have intensified with the latest cultural and technological developments. In the current biotechnological age, that which is regarded as living finds itself in a never-ending process of negotiation. At the same time, the imaginary arsenal of creatures which exist between life and death continues to grow and diversify. In films, novels, comics, feature pages and bestseller lists, we find dreams (or nightmares) of a world of “undead”. How do the new-found possibilities offered by the “life sciences” and advances in high-tech medicine interrelate with the reproduction of undead fantasies in the imaginary realms of culture?
This event aimed to examine what we regard as “alive” in the biotechnological age. It focused on zones of transition which we haven’t (yet) defined as belonging to the realm of the living, and forms of survival and “underlife” (Erving Goffman) which test the limits of what defines and empowers humans as social and natural creatures. We wanted to examine who exactly is defining the narrative regarding the beginning and end of life and its various stages and what their interests and justification could be. This issue involves ongoing discourse and debate from a variety of fields, including medical ethics, jurisprudence, politics, religion, philosophy, art and popular culture.
The new feasibility
Modern biotechnological advances which enable us to intervene into life processes have led to a revolution which undermines our classical ethical and ontological foundation. As the molecular-biological field forges ahead with “synthesizing” life and “producing” countless embryos (“frozen angels”), the formerly irrefutable boundaries between life and death have become increasingly blurred. Are these “entities” living or dead, not yet alive or not completely dead? Do they deserve our protection? Does this life have intrinsic value beyond its use as mere bio-material, a kind of biotic waste product of technology? Even in other areas of the medical field, especially in intensive care, we are encountering new ontological grey zones. What does it mean when a human supposedly no longer possesses personal traits? How do we convey the state of a patient in a vegetative coma? Or what about the bodies from which we extract organs and tissue – are they truly dead only because a doctor has declared them brain-dead? Furthermore, new biotechnological advances have made forms of “life after death” possible – human organic tissue (cells, organs, blood, bone marrow) can exist in the bodies of others, improving their “quality of life” and postponing their death. Cell lines can be reproduced indefinitely. The possibility of living beyond one’s mortal life in the form of stored information in specialized gene banks is becoming more of a reality every day. “When a person dies nowadays, they’re not really dead.” (Thomas Lemke)
Whoever establishes the right to define life also controls it. These issues of feasibility are not only negotiated between the scientific community and the political branch. Pop culture plays a key role in a variety of areas – artistic examination, media-based presentation of knowledge and criticism and the drastic narratives of fear and desire. Films, music, comics, illustrations, TV shows and YouTube clips present visions, nightmares, “explanations”, links, myths and parodies of what is conceivable and feasible. The undead must be iconographized in order to stimulate social discourse. Inversely, the imagery-rich discourse strongly contributes to the production of the undead. The science fiction and horror genres have accompanied the development of the life sciences and biotechnology since their inception. And this relationship is by no means one-sided. As much as pop culture delves into science, the scientific field takes advantage of pop culture, not only as a medium, but also as a quarry of ideas, images and rhetoric.
The economic logic of life enhancement
In the differentiation of biotechnologies, we discover a phantasm that claims the bio-body is a perfectible, universally formable, undetermined entity in the current of life. The age-old dream of immortality has returned in the biotechnologically updated and thoroughly materialistic hope that “this bio-body could finally be a deathless body”, as Petra Gehring writes. In view of the logic of optimization that extends to the human body and life itself, the added (economic) value of life is paradoxically rooted in the undead. “From creating ‘good genes’ to acquiring more life time to purchasing euthanasia services for assisted suicide, biotechnologically abstracted life is attractive as a consumer good.” (Gehring)
One could say that our fear of death is what motivates the life enhancement logic of biotechnologies to produce the undead. This also applies to “trans-humanistic” visions of life-enhancement. The triumph over death through biotechnological means serves as a counter programme to other cultural and religious approaches for dealing with death and thus, takes the form of a rejection of death. The ability to “reprogramme our biochemistry” and the prospect of nanotechnology enabling us to “live forever” are among the research objectives pursued by Ray Kurzweil. His work is based on the guarantee that the “biotic substrate” can continue existing using all possible means. But is this life which is made immortal the same as the life we are familiar with? Will we be confronted with such undead life in the future? Or does undead life already exist today?
In contrast to survival, “undead life” is an unheroic, undefined state of being which is rather uncanny and possesses only limited symbolic depth because it jumbles semiotics and ethical hierarchies. The iconic image for this type of life is the zombie with all its “vital impairments”. Zombies featured for the first time in their modern form in George A. Romero's famous "Night of the Living Dead" of 1968, only one year after the world's first human heart transplant and concurrent to the announcement of brain death criteria which would allow doctors to clinically determine the onset of death. The zombie offers both simple thrills and a subtle connection to archaic-mythical, sociological, historical, technological and even philosophical questions. Its metaphorical significance extends from the slave legends and revolts to modern epidemics. Beyond that, imagining the zombie prevailing over human life in the future certainly represents a worst-case scenario for all the life sciences.
Although the “inability to live or die” confronts us with ontological, philosophical, legal and very concrete, real-life problems, we should never forget that there are places in the world where countless numbers of people are being killed or allowed to die without a thought. The inequality of (medical) resources has also led to an unsettling and unfair economy of death on a global level. In the 20th century, the zombie became a figure of social criticism of the (colonial) exploitation of the body, the dispossession of the soul and the alienation of work. Today, the zombie is very often a post-human entity which exists in a counter-society. Who or what will the zombie become in the 21st century?
Control of the undead
The control of life and death has shifted to the control of the undead. But who determines what is undead? Who stands to profit from the undead? Who will save us from the undead? A starting point of the congress will be the assumption that Foucault’s theoretical model, which he called “biopower”, i.e. a technology of power based on biological and scientifically quantifiable basic functions, such as performance or capability of reproducing, has to be expanded to apply to the category of the undead. While Foucault bases his model on the dichotomy of “living” vs. “dead” (and the bio-political distinction between “that which should live and that which must die”), modern bio-medicine has produced epistemological and political grey zones and ontological border cases, the ambiguity of which is an expression of an ethical dilemma. Normative decisions require clear-cut distinctions and categories – for example, living vs. dead, or someone vs. something. Yet no such category exists for entities that are neither living nor dead. This leads to a sort of regulative limbo; society must take up the task of providing answers to what the undead is and who controls the undead.
One point of contention lies in whether the “new”, “improved”, “prolonged” life, which biotechnology has created with self-congratulatory hype, can even pass as human life. Another is determining who is permitted to use which resources, be it technical, intellectual or cultural in nature. While science and politics struggle to reconcile what is possible and what is permissible, popular culture has already moved on to other questions. What happens to one’s mind in that zone between life and death, of which we know so little about? What happens to a society in which life forms of "varying degrees of vitality" encounter one another? What rights do the undead have? What about their sexual and emotional lives? Who do they belong to? Must this trend end in a “war” between human and post-human life-forms? Or are (precarious) forms of coexistence possible?
Popular culture has offered answers to such questions long before political and scientific circles even began asking them. It negotiates the divides separating what is feasible, acceptable and imaginable.
The congress
The relationship between science and popular culture is generally acknowledged with embarrassment or irony. What predictions have turned out to be true? What current neuroses determine the prospective image? What sentiments are being produced and conveyed? We wish to take this relationship more seriously. It would be impossible to imagine the “undead” without the interaction of diverse pop-cultural images on scientific image production. Like the images of pop culture, those of science are also serially produced and reproduced for mass-media presentation. The figure of the “undead” haunts our literary and cinematic cultural memory and dramatically focuses our attention to the blurry boundary dividing the living from the dead. This congress examined the reciprocal relationships of theories and images and presented their mass-media dissemination through performance. Biotech experts, bioethicists, philosophers, artists, film and media professionals and pop icons have been invited to attend the congress. They met in various constellations and debated a wide range of issues in the rooms of a film set, constructed specially for the congress inside a former factory hall at Kampnagel, the theatre and cultural performance venue in Hamburg. Visitors could move freely through the rooms of the film set, each of which invokes places where the “undead” are produced. All the discussions, lectures, presentations and experiments were audio- and video-recorded. Wherever the visitors happened to be, they could decide which programme they would like to listen to via portable radio receivers with multiple channels and headphones. A film programme was shown parallel to the live events. In normal life, scientific, political, ethical and pop-cultural debates run concurrently and independently of one another. At the congress they confronted one another and productively work to make the one thing we are all trying to grasp more visible and negotiable – namely the present and future of what we regard as life.
Saturday, 29 May 2010
Human animal chimeras: can the subaltern speak?
I understand that your point of inspiration was the Vacanti mouse experiment.
The Vacanti mouse was such a shocking image because it was basically a naked mouse with what appeared to be a human ear growing out of its back. It wasn’t a real ear. In fact, it wasn’t even a genetic experiment, but it was such a powerful image, and I think part of its power came from how vulnerable the mouse looked. I immediately identified with it. I really felt for it. It was speaking to some pretty strange avenues that are now opening up to us with the advent of this new technology, so I really think from its very earliest stages, Splice always put the emphasis, the emotional connection, on the creature. We were always going to be suspect and dubious of the humans and, in fact, in the making of this creature, we discover the monster lurking within the humans. In other words, I never thought this should be a story of a monster going on the loose and wreaking havoc and killing people. That was just not the story I wanted to tell. I was much more interested in how the people would end up smothering their own creation. It becomes kind of a hostage story. That’s the road we followed. So the mouse was a very influential mouse.
I read that George Charames, your technical consultant on genetics, actually said that this type of experimentation is occurring clandestinely around the world, that these human-hybrid chimeras were being created. Do you think that’s true?
Well, they are. They absolutely are. Not like what we have in the film, but in the UK they legalized the creation of human-animal chimeras for medical research. They destroy them after, I don’t know, a few days or a week or something, so they never go beyond the embryo stage. That’s what Clive and Elsa at the start of the film plan to do: destroy it before it grows. But it grows a little bit quickly and once it’s born, they don’t have the heart to kill it, so you can easily see how life often trumps the best-laid plans and how things can go horribly, horribly wrong.
What is left unspecified in the second question, but is strongly implied, is that the clandestine research, "around the world", is taking place in parts of Asia. The implication of Frankenstein type experiments is tacitly presented as inherently shocking to Western sensibilities. I believe, along with people such as Steve Fuller, that a range of genetic experiments should be conducted, provided appropriate regulation/accountability mechanisms are in place. However, things get even trickier once you consider the possible greater receptiveness to chimeras in countries such as India, where a long cultural tradition enshrines them as part of everyday reality up to and including the present day. I understand what Fuller means then when he acknowledges running the risk of committing "the dreaded sin of Eurocentrism", by sounding a warning against an emerging alliance between religion and science, which he refers to as "karmic darwinism". I believe Fuller's argument could prove applicable to those wishing to construe the science of human animal chimeras as proof of how "the human condition" can and should be downsized:
"I argue that the 21st century will be marked by a realignment of science and religion, which I call the “anthropic” versus the “karmic” perspectives. The former is aligned with the major Western religions and was secularized in the 19th century as positivism, with its identification of social science with the religion of humanity. The latter is aligned with the major Eastern religions, but also Epicureanism in the West. It was secularized as the Neo-Darwinian synthesis in the 20th century, since when it has made major inroads in wider precincts of normative thought. In this context, I focus specifically on the work of E.O. Wilson, Richard Dawkins, and Peter Singer - all of whom, in somewhat different ways, argue on naturalistic grounds for the removal of humanity’s normative privilege. Moreover, this sensibility enjoys somewhat surprising support from postmodern quarters, where anti-humanism tends to be strong. These emerging trends, even when articulated by scientists, have also been associated with a decline in scientific meliorism. Against all this, I argue for a reassertion of the anthropic perspective, mainly by suggesting how monotheists and positivists may join to reinstate the collective project of humanity. A crucial part of the strategy is to regard participation in science as a civic obligation, if not (à la Comte) a religious service".I am sympathetic to Fuller's objectives, but from what I can tell, they are likely to be dismissed as impractical by an emerging research consortia that consciously arrays itself against [what they regard as] "conservative western attitudes", for fear that they will slow down the vaccine development which is the objective of chimera research. These scientists are basically arguing that heuristics will trump "dialogue between those holding differing views". It's not too difficult to understand [even if you disagree] why they would instead codify a minimal specification of "humane" treatment of the chimeras as central to their ethical framework, rather than a more expansive definition of humanity as a collective project. Afterall, the latter may be perceived by some as merely the latest form of neocolonialism.
Heuristics would therefore dictate that whatever is conducive to the fastest uptake of the research in other countries should be encouraged, not only to quell objections from those science watchers in the general public, but to encourage the participation of as many local scientists as possible. An appeal to cultural tradition may be just the ticket they're looking for. It is this strategy that threatens to legitimate karmic darwinism in a more general sense. So, to be clear, neither Fuller (as I understand him), or myself, are opposed to the science itself tout court, just one particular way of framing it (in such a way that it benefits devious elites to the exclusion of their fellow humans).
Of course, any inherent karmic darwinian sensibilities could be moderated as an incentive for participation or public consent to the research, given awareness that it could potentially have a beneficial global impact. This would certainly come much closer to satisfying Fuller's criteria of participation as a civic obligation. By the same token though, such a global impact could [unintentionally] make it easier for karmic darwinism to subsequently gain wider purchase. This compelling question remains unanswered:
"even though the creation of human-animal chimeras in research makes some people uncomfortable in the West, the benefits of creating such chimeras to accelerate vaccine development for disease that kill many more people in the developing world will likely be seen to be greater than the potential risks. If the attitudes in the West harden further, might the developing world itself supply a solution?"
Indeed, and will Western cultural products such as Splice contribute to the hardening of attitudes towards human animal chimeras, as appears to be its intention? When Natali speaks of things going "horribly, horribly wrong", I obviously can't cast too many aspersions (the film is awaiting release). But what is left unsaid may assume greater significance over time....
Tuesday, 25 May 2010
Bioships, replicating spacecraft and the exploration of exoplanets
Here we see the biotech focus of this blog coming into alignment with a number of fascinating possibilities. For some background on exoplanets, it is useful to pay a visit to the Planetary Society. And here is the quote by Freeman Dyson that really caught my attention:
"Any affordable program of manned exploration must be centered in biology, and its time frame tied to the time frame of biotechnology; a hundred years, roughly the time it will take us to learn to grow warm-blooded plants, is probably reasonable".[21]
However, Dyson is not solely preoccupied with manned exploration, as anyone who Googles "astrochicken" will quickly discover. Here we have Dyson, along with other scientists, applying the concept of "self replicating machines" to the development of spacecraft. As you can see from this link, the replicating spacecraft has also become a staple of science fiction. Unsurprisingly, while it offers in theory a means of exploring further and quicker than manned flights, there are concerns about whether replication could be controlled. If not, according to the "berserker" model, replicating probes would regard the existence of other lifeforms as competition, and would therefore seek to exterminate them. A more benign spin on the theme is the "seeder"/embryo space colonisation model, whereby genetic patterns from the homeworld are stored in readiness for the terraforming of habitable exoplanets. A degree of automation would circumvent the need for sustaining the living, breathing crew, associated with generation starships.
Of particular interest to this blog, Alien appears suggestive of the possibility of catastrophe arising from an admixture of berserker and embryo space colonisation. The sequence of events is not clear at this stage, as we await release of the [two] prequel (s), but one possibility would be that the automation process became corrupted during either the flight or upon contact with the exoplanet Acheron, with the xenomorphs subsequently emerging as a berserker species.

One of the more interesting pieces I have read of late discusses the derelict in terms of its being a bioship.

Although I am not charging Dyson with guilt by mere association, I do share Finkbeiner's concerns, which are raised as well in sci fi such as Alien: what role should the government play in scientific research? At what point is the inventor accountable for the hazards of the invention? The sheer vastness of "the final frontier" reminds us of the inherent difficulty of regulating any applied biotechnological research in such a context.
Please note that Dyson enthusiastically endorses biotech in the first part of this talk, before moving on to the theme of what kind of life might exist on Europa, and how we might go about finding it. In the final part, around 16:00, he connects biotech to space exploration, arguing that if we cannot find life out there, we should create it for ourselves to populate the universe, thereby making it a much richer, more interesting place. Hence it will not just be us moving from Earth into the universe, but living things in general. These proposals are obviously fraught with potential benefits and hazards, but the latter are not addressed in Dyson's talk:
Tuesday, 24 March 2009
Amata: Thai attitudes to human cloning
In my recent book, Science in Thai Society and Culture (forthcoming), I discuss that the way out of the problems arising from negative attitudes toward science and technology is that science and technology need to be part of the people’s lives. A way needs to be found in order that science and technology become integrated into the cultural fabric of Thai lives. I proposed many ways to do that, chief among which is that the direction of scientific research should be geared toward solving local problems and catering to local needs rather than toward serving the globalized corporate interests".
Friday, 23 January 2009
Christopher Coker's "War in an Age of Risk"

Granted the topic is interesting, but how exactly is it distinctive in comparison to Randy Martin's Empire of Indifference? I'm already thinking that Mute will be waiting in the wings to execute an identical critique to the number they did on Martin. More importantly though, one should not forget Hans Joas's critical review of Ulrich Beck in War and Modernity, insofar as Christopher Coker frames his discussion with reference to risk discourse. This is not to say that Martin and Coker's approaches are not without merit, (and the same might be said about Yee-Kuang Heng's study from 2006, War as Risk Management, and Mikkel Vedby Rasmussen's The Risk Society at War), but to some degree they may have the [unintended] effect of fostering benign neglect toward a more expansive understanding of the military as an important unit of socialisation in modernity. I'm thinking here of earlier works such as Andreski's Military Organization and Society, which contemporary specialists such as Martin Shaw treat, (in The Encyclopedia of Social Theory, edited by Harrington), as touchstones. And then there's James A. Tyner to consider for investigations of the military's spatial imagination.....
By: Christopher Coker
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Tuesday, 12 August 2008
"Dissent Over Descent": Steve Fuller interviewed at Acheron LV-426

Q: I suppose that this is how the story gets back to intelligent design?