Showing posts with label actor network theory. Show all posts
Showing posts with label actor network theory. Show all posts

Friday, 14 August 2009

Water Wars


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John Urry has presented a detailed sociological analysis of a dystopic "quantum of solace" type future in his book Mobilities. One thinks of J.G. Ballard's Crash and The Drought when reading Urry, as well as Kim Stanley Robinson's California trilogy and, of course, Frank Herbert's Dune. This proves, yet again, how William Gibson was correct when he argued that it is becoming more difficult to write science fiction because the gap between fiction and non-fiction (or social theory at least) is closing too quickly.


Urry foresees the impact of the civilian use of military technologies, such as Global Positioning Systems to monitor car use in addition to acting as travel guides, in ways that also feed into the themes of this blog. Note though that Urry is acting only in the interest of rethinking our priorities to ensure we not only face the following:

"...there is a stark choice for sustaining a planetary future. On the one hand, there is the dystopic barbarism of unregulated climate change, the elimination of many existing 'civilizing' practices of economic and social life, and the brutal reversal of many mobility and network capital developments of the past few decades. And on the other hand, there is the dystopic digital Orwell-ization of self and society, with more or less no movement without digital tracking and tracing, with almost no-one within at least rich societies outside a digital panopticon and with a carbon database as the public measure of worth and status" (p.276).

Be sure to continue browsing though to read how he qualifies "a sociology of the future". To keep the focus tight, I won't be commenting on the new Yes Men film here. If you don't feel like clicking through the Google Books version, read this condensed paper instead.

Wednesday, 29 October 2008

How Kevin Bacon cured cancer

This interesting program, which was clearly intended to popularise science, screened on the ABC last night. Disappointingly though, sociology was conspicuous only by its absence (and the same could be said of the graph theory of Leonard Euler). Network science was heralded as "the science of the 21st century", and Duncan J Watts provided a major focus for the program. Now I just happen to also own a copy of Watts' book, Six Degrees: the Science of a Connected Age, in which an intellectual debt to sociology is frankly acknowledged. Simmel is specifically mentioned on account of his theory of triads as the fundamental unit of group structure (p58), and this long sociological pedigree extends right through to today, as evidenced by the Journal of Mathematical Sociology and actor network theory.
Elsewhere on this blog I have referred to actor network theory in critical terms, which by extension makes me less sanguine than the makers of this documentary that network science is going to necessarily have a positive democratising effect by reminding us all that every problem is essentially a "small world" problem because of our interconnections. Indeed, the program counteracts its own intentions in these respects by demonstrating the increasing penetration of network science into the Westpoint Military Academy. Its proselytisers at Westpoint even credit it with helping them to capture Saddam Hussein.
Another point of interest for me was how it is particular hubs, or nodal points if preferred, that are instrumental in how a network distributes its flow of information. By extension, referencing my earlier post, one could use BlogPulse as a bibliometric tool to determine the major hubs in the Continental philosophy blogosphere, by tracking conversations to see who most consistently captures the attention space in the first instance.
But I should finish by returning to my point that the program was not reflexive enough to situate its complicity in maintaining the hegemony of science as a public discourse. Watts mentions Asimov's Foundation series in his book, Asimov's novels positively reference sociology, and another scientist mentions Asimov again [without mentioning sociology] in the film, reminding us that we are living in a world where science, and even science fiction, are afforded more public legitimacy than sociology. Although that thought is quite depressing, it is still worth watching the program as evidence of the phenomenon of homophily, where that which is similar tends to cluster in a network. I regard homophily as a heuristic relative of the term I like to bandy about, seriality.