How is visuality — understood here as the mutual constitution of the visual and the social (W. J. T. Mitchell) — implicated in the mediated construction of instances of distant suffering in various parts of the world, and what are the effects of such implications? After a brief history of the visual representation of humanitarian crises by Euro-American civil society institutions, the presentation turns to a consideration of the perils and prospects of humanitarian visuality. In particular, I turn to an inescapable aporia of this visual economy, the simultaneous production and negation of the otherness of vulnerable subjects. Finally, the presentation discusses certain strategies for a critical visuality, notably a defence of the image’s interpretive ambiguity as well as practices of phenomenological reintensification and structuralist expansion of the image.A public lecture by Fuyuki Kurasawa
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