Dialectique peut-elle casser des briques, La? (Can Dialectics Break Bricks?)

Virtually the only available example of a situationist use of cinema, this martial arts film presents a teacher and students of a Korean martial arts school pitted against Japanese invaders. Originally produced in Hong Kong, it was rewritten in French as a situationist political philosophical allegorical struggle between village proletarians and bureaucrats. Originally produced as a motion picture by Yangtze Productions in Hong Kong in 1972 as Tang shou tai chuan tao (Crush), directed by Tu Kuang-chi (Doo Kwang Gee). French language version originally produced in 1973. 84

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